Eventually, Carlin changed his routines and his appearance, growing his hair long, sporting a beard and typically dressing in T-shirts and blue jeans. Carlin hired talent managers – Jeff Wald and Ron De Blasio – to help him change his image, making him look more hip for a younger audience. Wald put Carlin into much smaller clubs such as The Troubadour in West Hollywood and The Bitter End in New York City. Wald says that Carlin's income was thus reduced by 90%, but his later career arc was greatly improved. In 1970, record producer Monte Kay formed the Little David Records subsidiary of Atlantic Records, with comedian Flip Wilson as co-owner. Kay and Wilson signed Carlin away from RCA Records, and recorded a Carlin performance at Washington, D. C. 's The Cellar Door in May 1971—this was released as FM & AM in January 1972. De Blasio was busy managing the fast-paced career of Freddie Prinze, and was about to sign Richard Pryor, so he released Carlin to Little David general manager Jack Lewis, who, like Carlin, was somewhat wild and rebellious. Carlin lost some TV bookings by dressing strangely for a comedian of the time, wearing faded jeans and sporting long hair, a beard, and earrings at a time when clean-cut, well-dressed comedians were the norm. Using his own persona as a springboard for his new comedy, he was presented by Ed Sullivan in a performance of "The Hair Piece" and quickly regained his popularity as the public caught on to his sense of style.
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