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Rogue taxidermy (sometimes referred to as "taxidermy art" ) is a form of mixed media sculpture. Rogue taxidermy art references traditional trophy or natural history museum taxidermy, but is not always constructed out of taxidermied animals, it can be constructed entirely from synthetic materials. Additionally, rogue taxidermy is not necessarily figurative, it can be abstract and does not need to resemble an animal. It can be a small decorative object or a large-scale room-sized installation. There is a very broad spectrum of styles within the genre, some of which falls into the category of mainstream art. "Rogue taxidermy" describes a wide variety of work, including work that is classified and exhibited as fine art. Neither the term, nor the genre, emerged from the world of traditional taxidermy. The genre was born from forms of fine art that utilize some of the components found in the construction of a traditional taxidermy mount. The term "rogue taxidermy" was coined in 2004 by an artist collective called The Minnesota Association of Rogue Taxidermists. The Minneapolis-based group was founded by artists Sarina Brewer, Scott Bibus, and Robert Marbury as a means to unite their respective mediums and differing styles of sculpture. The definition of rogue taxidermy set forth by the individuals who formed the genre (Brewer, Bibus, and Marbury) is: "A genre of pop-surrealist art characterized by mixed media sculptures containing conventional taxidermy-related materials that are used in an unconventional manner". Interest in the collective's work gave rise to an artistic movement referred to as the Rogue Taxidermy art movement, or alternately, the Taxidermy Art movement. Apart from describing a genre of fine art, the term "rogue taxidermy" has expanded in recent years and become an adjective applied to unorthodox forms of traditional taxidermy such as anthropomorphic mounts and composite mounts where two or more animals are spliced together. (e. g. ; sideshow gaffs of conjoined "freak" animals and mounts of jackalopes or other fictional creatures) In addition to being the impetus for the art movement, the inception of the genre also marked a resurgence of interest in conventional (traditional) forms of taxidermy.

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